An intimate and attentive crowd gathered at O’Toole’s for the April, 2011 showcase. James Lester opened the show with his fine bluesman-ship. I Like Your Love is an uptempo bluesy number – I’m usually kinda shy, but you have a way of bringing me out of my shell every time you hug me. Circus Blues is a “near-bluegrass” song – something hasn’t been right since the circus came to town – she’s been going out alone and hanging out with the clowns. Now the clown is knocking at our door – should I stay or should I go? Coatesville Blues is a drinking song searching for four-leaf clovers and other things to turn your life around. It only takes a buck and a little luck to get by in this town, but I need the doctor to give me something to take these blues away. Generation Blues is a contrast of life from yesterday and that of today – my dad told me to save for a rainy day, but I pray for a sunny day. There’s plenty of sex, drugs, and rock and roll, but Jesus is nowhere to be found. Satisfried is the story of a man with a great wife who has a good job and knows how to cook. She makes me feel like a king on my throne – I’m satisfied, satisfried. Blues Sky Blue was co-written with Steve Yates. This tender love song tells how his woman makes all his blues go away – I love my odds with you, in a formation of two, you turn my blues sky blue. Why I Sing the Blues was in an alternate tuning that sounded really cool. I get so depressed watching the news – everyone’ fighting ‘cause God is on their side. Whatever happened to a positive vibe? The “addiction” song Lame Pony told us I don’t want no woman don’t know right from wrong – she tried to hold me under her ball and chain – the tears came down like pouring rain – I gave her a lot of money, but it was not enough – I’m gonna take off walkin’, the pony’s going lame. James’ next tune was an instrumental called “E Thang”. Drinking Again was a sad tale about a woman walking out on her man – the last time I saw you was when you walked out the door – you don’t love me anymore – I can’t win – here I am drinking again. It’s All About Money says there ain’t a damn thing funny about the sad situation I’m in – my congressman doesn’t care about me, so my campaign contribution is in the mail. Deva (short for deviant?) is about a bad cat that’s always trying to kill things. Why can’t you just get along – why do you have to be jealous of all the other cats? James ended his set with the country-flavored Make My Day. As I watch you pack your bags, I wonder if we could have a last lusty fling. One more roll in the hay sure would make my day!
Matt Manion then took the stage, opening with a couple of numbers reminiscent of the 70’s. Don’t Remember Thinkin’ took him back to when I don’t remember thinking of the hassles we’d been through – in my state of loneliness, things seemed to be brand new. The Crossroads travelled back to the early days of the Crossroads Coffeehouse in the basement of St. James’s Church – the wooden chairs, coffee and cookies, and guitar players. Going to the Crossroads – I wanna play, I wanna sing, just put me down for anything. Nesmith and he grew up together but apart along parallel paths – raised in the country, but off to Richmond you roamed – I’m sure glad I reached you. God’s Rhythm asks God to help me find my rhythm, find my beat, shake this clumsy body, move these wooden feet – I can feel you in the floorboards – let him work things out.
Matt then invited Valerie Rourke onto the stage, and she performed two lovely a cappella numbers. If You Should Go is reminiscent of Patsy Cline – if you should go, I won’t come after you, or try to hurt you – now you have gone, but I’ll never know why you decided to leave, and I only torture myself when I believe you still think of me. Valerie left us with Torn in Two, which tells of one who is undecided on whether to stay or leave – one side of me loves you so, the other hates you because of how you treat me. My friends all say I should leave you, because you will never change – my heart thinks different, so what am I to do?
Matt returned to the stage with two fellow Vocal-onians, John Ellis (guitar) and Norm Roscher (“sin” thesiser). The thoughtful and dreamy Old Rolling Sea was inspired by body surfing (Norm was surfing his keyboard) and told of the power, depth, and age of the sea. You can feel and taste the salt spray just thinking about it! Don’t Need to be Perfect states that I don’t need to be right, macho, or bright, I just need to be me. Man’s Man is a call for a man who’s not afraid to take me by the hand and be a loyal friend to the very end – don’t care if he’s shy, don’t care what people say – if they talk, I don’t give a damn! John Ellis joined in with his smoking electric guitar on this number. Matt ended the set with Sit Down for Standby, an all-too-familiar story about trying to get home on a standby flight. John & Norm joined in again for this tune. We’re all just travelers stuck in the same boat – if I don’t get a flight, I don’t get home.
Submitted by Steve Nuckolls