Posts Tagged ‘Facebook Live’
January 2023 VOCAL Songwriters Showcase
The January 2023 showcase had two veteran VOCAL members and two newer ones scheduled, but unfortunately Dave Drouillard, a new member, had some technical difficulties preventing him from performing (we’ll take a rain check, Dave!).
The show opened with longtime member Carol Torricelli (aka Torch) who delivered some very intriguing and dreamy tunes reminiscent of Joni Mitchell. Come to Virginia could be the official Tourism song for the Commonwealth of Virginia as it describes all the wonderful sights, smells and sounds of the state. Give Me the Simple Life was the first of two songs co-written with longtime member Glen King. This tune embodies many images and thoughts we could all take away, the many benefits of living a simple, uncomplicated life. Don’t You Slow Me Down was written about a trip she took to explore her roots in Sicily and featured her signature stellar whistling ability! She has her bags all packed and is ready to go, so don’t anyone get in her way! Tossing Like a Salad Over You is a jazzy-ish tune describing her relationship with an individual, wondering if he would continue texting her and where their relationship was heading. Highway to Your Heart was the second number co-written with Glen and was written fairly recently for the truck song challenge VOCAL had. They’re burning up the highway trying to get back home to the one they love. Saw someone who looked like Jesus standing by the road and definitely had a country station dialed in on the radio. Keep it in the road! Great set, Torch!
Veteran member Keely Burn then took the virtual Zoom stage and delivered several of her signature tunes, presenting a theme that could probably be turned into a musical. You’ll Like Me More When I’m Not Me was the beginning of the journey in the life of the fictitious woman named Blue, where she doesn’t have much self-confidence, doesn’t like the limelight and would be more attractive if she’s just being herself and not acting. “Act II” of this story is someone new coming into the story who thinks they’re more attractive if they’re outgoing. The next chapter in Blue’s life deals with terms and conditions, where you need to lay the groundwork up front to get on the same page (I may not want you as a companion but would welcome your company). Masterpiece reveals the conflict that often arises in a relationship where you have a misunderstanding of your terms and conditions, and in this case Blue and her companion are not on the same page. Waltz tells us that love is not a written-in-stone foregone conclusion, but that there are ways to fulfill a relationship other than the traditional one. You Were My Guiding Light, the conclusion of the narrative, is a heartfelt number every cloud has a silver lining but all you see is gray. I heard your voice beside me, your song showed me the way, you were the guiding light. Great job, Keely!
Newcomer Erik Gaines then took the stage and treated us to some mighty fine tunes. Drunk ‘til New Year’s was reflective of a recent visit to the ABC store where a customer had a fully-loaded cart and was going to get obliterated for the entire week via his Christmas spirits. About to be three sheets to the wind, he’s ready to just pass out on the couch where no one will notice. Fools Tread Where Angels Fear To Go tells reveals that he’s a fool for her love and will do anything, walk the wire, etc. to win her love. In Bad Dog he portrays himself as a tail-waggin’ somewhat well-behaved puppy willing to do anything to make the girl take him home. I Only Mean The Best is a new heartfelt song about someone just trying to do the right thing and be the best they can, even though someone thinks the worst of them. The words may sometimes come out wrong, but no harm is intended. I’m Coming Home To You recounts the experiences of being out on the road far away from home living out your dreams but having other people tell you what you can and can’t be. It took him a while to figure it out but he’s finally come around. I’ll Love You Even More Tomorrow is a testament to the value of twenty years of marriage with many more to come! They were able to work through the ups and downs through the years but are in it for the long haul. Way to go, Erik!
December 2022 VOCAL Songwriters Showcase
Our VOCAL Christmas showcase took place on December 19th, and 6 songwriters, some new to our group as well as tried and true VOCAL veterans, banded together to carry on our traditional annual event.
Glenda Creamer was up first. She opened with "Love Came Down At Night", a light waltz filled with Nativity imagery. Next up was a melodic study just waiting for the right words, loosely titled "Song With No Words". She followed up with "After Christmas", its lyric urging the listener not to give up hope when the holiday season loses its glow. Glenda rounded out her set with "Christmas Cookies" - lots of cookies and lots of calories!
Next up was Roy Kauffman. Roy opened with "Dream of Me (Woodstock to Hollywood)", giving us images of memories of love left behind on the highway. His nostalgic set continued with "I'm Not Gone", reminiscing on departed friends. Roy concluded his set with "Any Other Way", an ode to appreciating what one has.
Dave Drouillard, one of our new VOCAL members, offered two songs this evening. The first, "American Flyer" gave the listener images of post-war America and a lonesome railroad as it made its way past winter on the Great Lakes. His second offering was "Unsung Carol", a child's heartfelt expression of the Nativity, and of faith.
Longtime VOCAL member John Ellis was up next, with two songs as well. "Autumn Hour" was a reflection on transitional themes between fall and winter. "Me & My Baby On a Cold Winter Day" was a sassy, romantic, Christmas blues.
Another or our newest members, Eric Gaines was next to perform. His first song, "Black Dog", used a strong, well developed lyric to deal with the darker side of love. His next song, "Iron Bound", spoke of a commitment as strong as steel and chain. Eric rounded out his set with an ode to commemorate his return to music, entitled "Coming Home To You."
Our final performer of the evening, James Lester, favored us with three of his original works. "Spending Christmas With You" was filled with traditional Christmas warmth, while "Christmas Boy" was a jazzy, romantic holiday number. His fnal song, "Piedmont Blues", was a study in the blues, Piedmont-style.
Wishing one and all a safe and prosperous 2023!
November 2022 VOCAL Songwriters Showcase
In November VOCAL presented three singer-songwriter members in a program simulcast on Facebook and Zoom. Chaired by VOCAL President Matthew Costello, the showcase began with some sample songs by each of the participants while waiting for the live viewers to assemble before their devices.
John Ellis
Once done, the showcase started off with John Ellis who amped up his Taylor guitar and began with the instrumental "Chimes" which was complemented by a nice run of arpeggio chords that suited the title. This was followed by "Sweet Blues" a sad reflection of lost loving. Next came "Honestly" a more honest title would not have sufficed to describe the lyrical content of this song. "You gave me very little of yourself", "unending agony" were a couple of the lines and the kicker was the singer saying "you can go to hell". "Winter Solstice" is a staple instrumental in John's repertoire and this tune rang out with some big chords perhaps describing the darkness that the title suggested. "Autumn Hour" included some picturesque lyrics of the changing season and the declarative by the singer "I find my tranquility" in this time of year. Closing out his set was "Band of Silver" extolling the virtues of an inexpensive wedding ring preferring to offer this rather than a gold one as "there's no such thing as a second had wedding ring, (when) a band of silver will do".
Steve Nuckolls
Steve is a long time VOCAL member and a frequent performer on the showcase. Tonight he offered some old and new material less often done. "Lines of Love" is a tender tale of the connection between two people in love and their means of communication in silent but meaningful glances. Picking up hitch hikers can be a dangerous thing. But, when its Eugene, as Steve tells us in "Much Obliged" it can be an entertaining ride. Full of stories he always ended his travels with the phrase "Much Obliged" no matter who was taking him to his destination. Next " The Gosson Mines" was a cautionary tale to youngsters about the dangers of getting too close to the people who worked the mines and sawmills. Something new, " A Week To Over, Time" described the mundaneness of work as the singer proffered "daydreams are my lifeline" as an escape from the boredom of it all. Closing out his set, was "What If She Likes It". His set offered a nice contrast to John's with less rock musical overtones and more soft pop tones.
Jeff Wagner
Jeff has been in VOCAL for a couple of years and has played his songs for the members in meetings and in a previous showcase. He has more of a folk sensibility. Tonight he began with "House Burning In The Town Tonight" a tale of a traveling musician who vacillates between being on the road and being at home, mostly away from those loved ones at home. This was followed by "Sacred Mountain" a song full of descriptive images of being out in the desert landscape, as something like a rejected lover might feel, living in the sagebrush, under a red sky, cold nights and out where the coyotes howl. Redemption seems like a far away mountain. Aging has it drawbacks, for sure, but it can be fun, as well as Jeff tells us in "The Old Guard" which is a self reflective song in which he and three of his buddies star. They hang out together and each one has a life talent that distinguishes them one from the other, but they have one thing in common: they "Suffer no fools or cheap whiskey". "Sometimes" "how I miss that Joy and pain" gives us an overview of a relationship and the good and bad that can accrue over the years. "Reckless Kind" pictures a lifestyle of difficult choices that put the singer in jeopardy as his life comes on "like a big red storm". Last song in the set "The Devil Claims Your Soul" is a tale of an out of luck cowboy who can't get it together as in this line:"the wind calls your name, but, plans you made are like broken bottles on the barroom floor" Heavy duty stuff.
Three different singers, three different styles of music, great variety.
If the video below doesn't play when you click it, follow this link to watch it on Facebook: October 2022 VOCAL Showcase Facebook Live
October 2022 VOCAL Songwriters Showcase
The October 2022 VOCAL Songwriters’ Showcase took place virtually via Zoom and FB Live on Monday, October 18, 2022. Two of VOCAL’s long-time members, Glenda Creamer and Jim Puckett, shared their well-crafted tunes with the group.
Glenda opened the evening with a spook-filled set and she was dressed for the occasion with her black witches hat! She opened with Saurena’s Song, describing the melodic hook reeling her in – swallowed the bait – he’s the best fisherman, and she’s waiting to see if she’ll get thrown back in or if she’s a keeper. Lazarus recounts the Biblical tale (a bit creepy/spooky) where Lazarus awakes from the dead. Scary, indeed! She then delivered her signature (and timely) song I’m a Witch Today, conjuring up evil emotions, vibes, etc. that you don’t want to come your way! She then brought us Ghost House, which was inspired by a crazy dark dream. They had just moved to a rental house and started experiencing really weird things, realizing then that the house was haunted. Moonshine Sky is another one of Glenda’s signature songs, a minor-keyed haunting number inspired by the moonshine-making days in Franklin County, VA during the Depression. Fortune Teller is a cool song she co-wrote with former VOCAL member and UofR Speech Professor Jerry Tarver. It “tells” about his love foretold, which then he stupidly betrayed, so he’s now asking the Fortune Teller to tell him a lie – he’ll even pay her double to reward her for her trouble! Glenda ended her set with another haunted tune Never Sing About the Moon (the crescent moon is for the witch, the full moon for the werewolf, but no moon is when all the creepy things come out!) If you don’t want him to fall in love with you, then don’t sing about the moon when you’re looking into his eyes, and don’t act pleased when he gives you a surprise.
Jim Puckett then took the virtual stage with his numerous guitars, swapping them depending on the desired tuning. He opened with Mabscott, an ode to the old coal-mining town, remembering his grandad driving the grocery truck around the mines. The Only Stars is a cool number about not only seeing billions and billions of starts in the sky, but also seeing millions in the darkness of your lover. Mississippi Line reveals a current theme of standing in line for assistance in some form or another, whether it’s food, gas, or most recently bottled water in the case of Jackson. You never know when you may be the one who has to stand in line, especially when your life and dreams have suddenly dried up. In Richmond is a tune where the city is calling out and waiting for you from all corners of its rich and sometimes dark history. From “Hollywood on the James” to the church on “The Hill” there is something for everyone. Jim brought his harmonica for Giving Me Ideas, where he and his lover are taking a drive in the country, the music cranked up to free them. Don’t have to tell me twice, she’s giving me ideas! It’s Okay is a new song from Jim with a “don’t worry, be happy” attitude to life and what comes along. Doesn’t matter what it is, someone borrows and wrecks your car, someone crashes on your sofa, etc. there’s always room at the Inn! Into My Arms is another cool song in alternate tuning that Jim describes as an “apocalyptic love song”. Regardless of all the gloom and doom and despair, I will always be there with arms wide open to take you in. Riverside is one of Jim’s signature tunes, a dark “Appalachian Murder Ballad” tale of taking your lover down to the river where the cool water feels good on a hot summer night. What begins as young passionate lovers trying to get away with everything they could ends with her being shot by a jealous lover who is then “taken to the water”. When The War is Over was written several years ago but is very applicable today with the situation in Ukraine. The parent compares the noises of war to the weather, with the rain and thunder – it will all be better when the war is over. Things Happen Fast describes the situation of many when they are living high on the hog, taking things for granted, when suddenly they find themselves in a free fall and lose everything they had. Jim ended the evening with Winter Town, where he initially is inclined to get out of town when the cold and snow arrives, but then realizes that is where his roots are, so decides to turn around and stay.
Great sets, Glenda and Jim!
If the video below doesn't play when you click it, follow this link to watch it on Facebook: October 2022 VOCAL Showcase Facebook Live
September 2022 VOCAL Songwriters Showcase
One of the qualities I've always admired about VOCAL is its ability to deal with change. From securing performance venues, to challenges presented with the pandemic lockdowns, and a host of other "little things" that would bog down other non-profit arts organizations, Matthew Costello and the leadership and membership of VOCAL have managed to find unique, workable solutions to these and other issues.
For instance - what happens when the VOCAL Songwriter of The Year and the composer of the VOCAL Song of The Year, both member-voted accolades, who have the honor of sharing the playbill for the next Songwriters Showcase...but both award winners are the SAME person?!? And there's never been a Songwriter's Showcase featuring a SINGLE performer?!?
Solution - you put aside tradition for one evening, hand the virtual microphone over to the "Cute Girl with Glasses", and get out of her way!
This was the case at this year’s September Songwriters Showcase, when Keely Burn, the 2022 VOCAL Songwriter of The Year, and composer of the 2022 VOCAL Song of The Year, "Your Company", stood alone, center stage, and showed us why she was so deserving of this year’s top honors.
Keely performed a 12-song set of her greatest hits, alternating between her keyboard and several ukuleles, while recovering from the travel lag associated with a wedding she sang at the weekend before. Oh, and there was the unplanned technical delay due to Facebook's procedure change for livestreaming without notice or warning (see VOCAL’s ability to deal with change above).
Keely shared insights into her songwriting process and inspirations along the way, and the common theme for her is relationships. Her opening selection "Waltz" explored the dynamics of marriage. "When I'm Acting" searched for acceptance in a complicated relationship. "Masterpiece", a classic Keely Burn song, clearly laid out parameters and expectations in a troubled relationship. "Broken Heart" was originally a collegiate exercise in Dorian mode that evolved into a breakup song. Here, the audience was treated to a wonderfully fresh freedom in Keely's lyric and melody.
Keely took a moment to say that yes, relationships are her guiding songwriting inspiration, but her lyrics often explore conflict and the resulting reactions that are NOT typical of Keely personally. "Your Company" was such a song, where she drew her inspiration from close friends and a Sondheim work with a similar name. Keely followed our 2022 VOCAL Song of the Year with "Lightning" a fiery, spirited ukulele song.
Keely has an EP project in the works, which she tells us is all about anxiety. "Bed of Nails", one of the songs from her forthcoming project, deals with adults making friends in the digital age, and how individual backgrounds can, well, complicate things. "Doorstop" was her audition song for the prestigious Summer Camp of the Interlochen Center for The Arts. It was a treat to hear a song from Keely's younger years, a clever song of empowerment. In this song, the audience could hear clear lines between yesterday's raw talented teenager and today's polished energetic artist.
The set continued with "Come Down Love" - a primal and declarative work, because what's a love affair without a few rough edges to work out? Keely's next song was a change-up, called "Strike Three" - but it wasn't about baseball (wink). The next song was one of our favorites, "Cute Girl with Glasses" - love her, don't love her, it's all good! But don't forget the ukulele!
Keely wrapped up the night with "Out of The Flood", a reminder that even in hard times, life washes away the things that drag us down.
Congratulations on a historic, vibrant Songwriters Showcase performance, and congratulations to the 2022 VOCAL Song of The Year writer AND Songwriter of The Year, Keely Burn!
~ David Atkins
August 2022 VOCAL Songwriters Showcase
August 2022 Vocal Showcase.
Another stellar night of music was provided by two long time VOCAL members, president Matthew Costello and Glenda Creamer. Hosting was another long time member, David Atkins.
Opening the program tonight, while waiting for attendees to show up, were two recorded examples of the songwriters works: "Lady You" by Matthew was a jazzy tune and "I'm Leaving Cody" a popish cowboy song from Glenda.
Matthew Costello
To start the live portion of the show, Matthew began with "Train of Thought" which outlined the dual thinking processes of the singer and the object of his attention. Next, "Life Is A Movie" described all the different contrasts one finds going through life, such as country life/city life, friends/strangers, heroes/villians, and shows the complexity of what we experience. A major piece of work by him "The Artist That Hung The Moon" (John Atkinson Grimshaw) is a picture itself by a song, of a picture by the artist with imagery and music. "If You Knew" was a song about being smitten, secret feelings the singer harbored for a woman he sees across a room and wonders if she has picked up on his feelings. Next in his set, Matthew presented "Bound By Walls of the Past" which included some lines how the title can affect a person, such as "Freedom in the future, walls in the past" and "Why pay remorse for rent". This question , "What is Happy", probably crosses most everyone's mind at least once in life. The answer, as Matthew explains, is "In The Eye of The Beholder" in his song "Get Me Some Happy". It shows up when we least expect it, and from unexpected sources, from the aura of strangers to our own inner being, it is a contagious feeling one can not ignore.
Glenda Creamer
Glenda began her set with the "Frog Song" a delightful tune describing all the antics of a frog and it's characteristics, slimy, green, hoppy, jumpy, swimming in the toilet bowl and other assorted traits, and she included some very froggy sound effects to complement the song, as well. The next song (Woman on the path?) comes from a suite of songs about Jesus and the Bible, in which the woman asks Jesus to bless the children He encounters in His walk through life. "Hit On By Older Men" tells the tale of how her wedding ring (a sapphire not a diamond) misleads men into thinking she is available and how she has to fend them off. Next in her set was "September Wind" and describes the changes the coming autumn is creating, pushing waves back to the shore, rustling leaves and cooling temperatures. One of her well known songs was next: "I'm A Witch" in which, she exemplifies all the traits of a witch, casting spells, shooting green darts and generally creating havoc in people's lives. "Ghost Town" to keep the halloween theme going, was a song about a haunted house invaded by kids who spend the night exploring for ghostly powers, to which she added spooky sounds. "Moonshine Sky" came from her experience growing up in rural Virginia, and related the exploits of local moonshiners who made their brew in the dark of night in the shadow of the mountains. Last song in her set, Glenda presented "Let The Cool In" and mister cool himself saunters in on a hot summer day to the delight of those suffering the heat.
One of the outstanding results of tonight's showcase proved that VOCAL has great songwriters who create meaningful and thought provoking lyrics and complimentary music skills.
July 2022 VOCAL Songwriters Showcase
The July 2022 Songwriters Showcase took place on July 18, 2022 via Zoom (streamed live on FB). Two long-time VOCAL members Bill Kaffenberger and Matt Manion were the featured writers.
Bill Kaffenberger
Bill opened the show in a dropped-D tuning with Acts of Random Blindness, the story of someone out of control with serious non-earthly problems who defied everything and cashed it all in – don’t mess with God or he’ll mess with you! In The Morning was a partially-written tune from the late 60’s – early 70’s that he had written with a friend who has since passed away. He’s sorry he walked out on his friend when he needed him most and doesn’t blame him for anything that happened in the past – I’ll be heading out when the morning comes. The Ghosts of Laurel Canyon is the title track of his newest release, describing his ventures into the canyon in search of the muse from past musicians who lived there. The ocean breaks for miles and miles – are these ghosts of the canyon even real, or are they walking these hills? Dad is a very sentimental tune about his father, remembering all the great times they had together. Summer Day Summer Sun was co-written with his high school friend Jim Howard, a salute to the summer fun and sun and the idea of leaving everything behind and dream on a new horizon. The next tune, also co-written by his friend Jim, was inspired by the Don McLean’s song Vincent. Asking what Van Gogh’s life could have been like, he encourages us to never give up on our dreams despite how despondent things may seem at the moment. She’s So Real is a signature tune of Bill’s that most everyone can relate to – trying to find that special person in your life who’s the “real deal”! She’s got a heart a million miles wide, so how can you go wrong with that? Maybe someday he will have the nerve to tell her how he feels about her. And So it Goes was written after attending a John Prine concert, where Prine encouraged all songwriters in the audience to go home and write a song. Bill took that to heart and wrote a pleasing-to-the-ear Prine-ish number. You can’t cook an egg in a toaster or comb your hair in the wind – reminded me of the advice dispensed in Prine’s Dear Abby song! He then introduced his new single Summer Rain, a rhetorical apocalyptic tune that will make you stop and think about what’s going on in our world today. His next tune, She Was Meant For Me, was written in the style of Gene Clark, a member of the former Byrds. He can’t believe that he’s the only one who understands that when all is said and done, and after a lot of time has passed, maybe she’ll see that she was meant for me! Bill ended his set with Someone Greater, a song he wrote back in the 70’s while at VCU and playing at the Grace Street Coffeehouse. After witnessing all the majestic mountains, newborn babies, etc. you certainly will believe there is someone greater! Great set, Bill!
Matt Manion
Long-time member Matt Manion then took the virtual stage, opening with one of his signature tunes I Don’t Need to be Perfect. Definitely a message many folks can relate to – let me just be myself and get on with my life! Looking for a Man’s Man describes the search for that perfect mate – doesn’t have to be rich, just someone who will grab me by the heart. Blue Springs Hideaway recounts the heavenly trip to the mountains in southwest Virginia, soaking in Mother Nature miles away from the city lights – rocky ridges and forest trails. Definitely a peaceful place for a great weekend! Another dreamy ode to Mother Nature is Life Can Be Funky Down on the Pamunkey, a really cool song describing all the wondrous aspects of natural life along this lazy river. Matt then treated us to a new song using sampling from the Simple Minds’ song Don’t You Forget About Me. I Just Wrote a Song Today asks the listener to just let him know if you don’t like it and he’ll stop it! Matt took us home with Rolling Sea, which included soothing backing tracks he recorded on the beach by the ocean. I could almost feel myself floating and bobbing peacefully with the gentle roll of the waves. Way to go, Matt!
June 2022 VOCAL Songwriters Showcase
The June 2022 VOCAL Virtual Songwriters Showcase featured two fine songwriters who represent distinctly different points within the spectrum of our membership, Keely Burn and Doug Patrick. This was another virtual showcase using Zoom while streaming via FB Live, which has been our standard operating procedure during the pandemic.
Keely Burn
Keely opening the evening, sharing both her Richmond home as well as her favorite four-legged audience with us! Keely has been with VOCAL since 2013, where even as a teenager her creative potential was clear to see. Her songwriting is filled with smart, challenging lyrics, joyful melodies, and confidence in the face of a challenging world. Her set tonight opened with the self-affirmation anthem Not Afraid. From her forthcoming sophomore album release (stay tuned for more info), Bed Of Nails explored the difficulty of making friends in the digital age, and “friending” someone who ultimately isn’t worth one’s time. Switching instruments, we were next treated to “Ukalady”. (Don’t ask, just watch the showcase on our website archive!) Keeping with the 4-string theme, Keely charmed us with her quirky tongue-in-cheek bio-pic, Cute Girl With Glasses. Her next songs dove further into her new album project, in the form of anxiety studies, including Drowning On Thin Air and Your Company, in honor of Pride Month; addressing those dealing with the pressures of trying to conform to society’s expectations. Rounding out this portion of her set was The Flood, a call to prioritize real life issues over personal drama. Concluding with a song of empowerment, for anyone struggling to carry both themselves and a partner, Keely delighted us with one of our favorites, Masterpiece. Thank you, Keely, for a great set!
Doug Patrick
We then turned from one of our freshest songwriters to one of our most enduring. Doug’s standard of excellence has endured as long as many of us can remember, and no one tells a story in song like Doug. Doug’s stage was his screened-in back porch, complete with rocking chair and crickets for background ambience!
Doug opened his set with the dreams of a small-town boy looking for a faster life, in Good Time Train. Next, when things don’t work out, we took comfort in the promise of a home to come back to, in Rivertown.
I try not to use words like “old”, “seasoned”, and “experienced” in these reviews, but when the artist sings a song of fatherly love, written for his children, grandchildren, and great-grandchildren(!), the artist leaves me little choice! Congratulations, Doug, both on the great-grandchildren, and for your tender song I’ll Hold You.
Doug continued with a story of Kentucky migrants looking for better days during the Great Depression, in Getaway, an old (sorry!) VOCAL favorite made new again with a slightly slower tempo and a soulful, poignant singing of the lyrics.
Hot dogs just taste better at a baseball game, and baseball just looks better when the coach finally relents and puts your grandson in the game, in Put Him In The Lineup.
Doug’s interest in Civil War history came in handy for his next few songs. Molly told of the horrors of battle through the eyes of one soldier’s final lament, while One Lone Georgia Pine romanticized a dark time from the performer’s ancestry.
Doug then concluded this night of original songwriting excellence with a song of hope for the future, “food for thought” as he put it, in I Believe.
Doug Patrick and Keely Burn. Separated by generations, but united in the craft of songwriting and the pursuit of excellence. Thanks to you both for a wonderful evening of music!
April 2022 VOCAL Songwriters Showcase
David Atkins
David Atkins then took the Zoom stage, accompanied by his backing tracks, with some of his signature tunes, including the honky-tonk bar-related favorites. When a Woman Smiles is one of our favorites, and we all know those smiles are too hard to resist! Gray is one of his newer tunes and takes a realistic view of society where everything is not black or white. The House on Leaksville Road is a haunting number recounting a visit to the house where he once lived with a love of the past. Emancipated is a newer song reflecting the ignorance and misguided attitudes of certain people stuck in their ways and unwilling to accept the truth. Wishing You Were Here takes us back to the bar where he’s crying in his beer and licking his wounds after being left by his lover. Southern Pride is another new song and bears the “three chords and the truth” philosophy of songwriting. He’s remembering some of his field trips from school in his youth where they visited homes/museums of Civil War heroes whose reputation has become tarnished through the years, making Southern Pride a dubious phrase. He then delivered his signature tune and crowd favorite Sing Your Own Song, a tribute to all of us writers out there just trying to get our stories out make sure they’re heard. He ended the evening with One Drink in the Bottle, another bar/honky-tonk number that he crafts so well (can’t waste a drop!). Way to go, David!
This concluded yet another wonderful evening of songwriting performances by two of our stellar writers!
May 2021 VOCAL Songwriters Showcase
Continuing with pandemic controlled activities, the VOCAL showcase was again a virtual affair simulcast on Zoom and Facebook. The two performers were Matt Manion and Glenda creamer.
Matt Manion
Matt’s set list included some of his seldom heard songs like “Raw Roach M otel” which depicted conditions living in a 3rd rate flophouse. “No. No, No, No” told about a friendship that goes awry. From the 1980’s he did “Job Hunting Blues” about all the drug tests he had to go through to get a job. That was followed by “Life Can be Funky Down On the Pamunkey” with pictures of what one sees along the river such as birdlife, and foliage. “I Just Want To Be Me” was his confession about not being the perfect person, but accepting who he is in reality. “This Getting Old Is Getting Old” is another reality check about aging. His last song of the night, “God’s Rhythm” tells us, where you are now is where you were meant to be. Put your faith in god.
Glenda Creamer
Glenda Creamer is on a mission to tell bible stories with her music. She has created a musical piece called “The Path”. Tonight she played the second half of that work. The collection of songs t follows a seeker as he walks along a road and confronts various voices along the way. This is told in short narraitve songs that starts with “Slow Down” answered by “Get Back On Your Feet”. In “I’m A Witch Today” she warns “watch out for me, if I get angry I shoot green darts and conjure up your dark emotions”. Then, “Share Your Burdens With The Lord’ followed by a prayer “I Want To Follow You” she cautions him not to take “The Easy Way Out” but in an a capella she advises the man to “Keep on Keeping On” along the road. To follow the straight and narrow path ahead do not climb the “Stairs To Nowhere”. He hears the voice of god saying “I Will Come To Your Aid, I Will Calm Your Fears, I Am By Your Side.” finally the man climbs the stairs and he is saved. He sees moses and the burning bush and hears “Let My People Go”. Finally he realizes he has reached the promised land and is rejoiced in “You Will Always Be My Child” and “Make A Joyful Noise”.
Two very different performers, each with their own approach to music making.
The video of the showcase can be viewed at the VOCAL Facebook page Videos section.
April 2020 Showcase
These immortal words about postmen
“Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds”
would seem to aptly applied to Tonight’s VOCAL showcase.
After all: It would seem the coronavirus, technical difficulties and just plain logistics might put the kibosh on our monthly showcase.
But, noooooooo, nothing could stop it. Thanks to Matthew Costello and his intrepid fortitude, and know how, the showcase made its first ever virtual appearance on Facebook.
After a short intro by him, the first performer to take the stage was our wonderful young lady, Keely Burn. She cranked up her ukulele, for a handful of original tunes, which included a sort of self imaged song titled “Cute girl with glasses’.
She was followed by Prof. Dean Broga, who on guitar, regaled the viewers with some tasty tunes about the road and ended with a bluesy number celebrating (?) the coronavirus or covid19.
Next up, David Atkins, a long time VOCAL member and music teacher, demonstrated his songwriting abilities with songs covering a wide range of subjects from haunted houses to barroom moroseness with “One Drink In The Bottle” .
Capping the evening, which was limited in time to 60 minutes by Facebook, our president Matthew Costello pulled out one of his signature songs “Elvis Blues” with the singalong chorus of “Diggin’ Diggin’ Diggin'” which every viewer participated in (maybe).
As for turnout, a standard showcase at O’Toole’s brings around 20 or so folks out for the night, by my calculation and the figure on the screen, we peaked at 25, which is great for this first attempt a live streaming event. Given the circumstances, that will most likely remain next month, we will be anxiously awaiting the next VOCAL showcase.
