Posts Tagged ‘Keely Burn’
January 2023 VOCAL Songwriters Showcase
The January 2023 showcase had two veteran VOCAL members and two newer ones scheduled, but unfortunately Dave Drouillard, a new member, had some technical difficulties preventing him from performing (we’ll take a rain check, Dave!).
The show opened with longtime member Carol Torricelli (aka Torch) who delivered some very intriguing and dreamy tunes reminiscent of Joni Mitchell. Come to Virginia could be the official Tourism song for the Commonwealth of Virginia as it describes all the wonderful sights, smells and sounds of the state. Give Me the Simple Life was the first of two songs co-written with longtime member Glen King. This tune embodies many images and thoughts we could all take away, the many benefits of living a simple, uncomplicated life. Don’t You Slow Me Down was written about a trip she took to explore her roots in Sicily and featured her signature stellar whistling ability! She has her bags all packed and is ready to go, so don’t anyone get in her way! Tossing Like a Salad Over You is a jazzy-ish tune describing her relationship with an individual, wondering if he would continue texting her and where their relationship was heading. Highway to Your Heart was the second number co-written with Glen and was written fairly recently for the truck song challenge VOCAL had. They’re burning up the highway trying to get back home to the one they love. Saw someone who looked like Jesus standing by the road and definitely had a country station dialed in on the radio. Keep it in the road! Great set, Torch!
Veteran member Keely Burn then took the virtual Zoom stage and delivered several of her signature tunes, presenting a theme that could probably be turned into a musical. You’ll Like Me More When I’m Not Me was the beginning of the journey in the life of the fictitious woman named Blue, where she doesn’t have much self-confidence, doesn’t like the limelight and would be more attractive if she’s just being herself and not acting. “Act II” of this story is someone new coming into the story who thinks they’re more attractive if they’re outgoing. The next chapter in Blue’s life deals with terms and conditions, where you need to lay the groundwork up front to get on the same page (I may not want you as a companion but would welcome your company). Masterpiece reveals the conflict that often arises in a relationship where you have a misunderstanding of your terms and conditions, and in this case Blue and her companion are not on the same page. Waltz tells us that love is not a written-in-stone foregone conclusion, but that there are ways to fulfill a relationship other than the traditional one. You Were My Guiding Light, the conclusion of the narrative, is a heartfelt number every cloud has a silver lining but all you see is gray. I heard your voice beside me, your song showed me the way, you were the guiding light. Great job, Keely!
Newcomer Erik Gaines then took the stage and treated us to some mighty fine tunes. Drunk ‘til New Year’s was reflective of a recent visit to the ABC store where a customer had a fully-loaded cart and was going to get obliterated for the entire week via his Christmas spirits. About to be three sheets to the wind, he’s ready to just pass out on the couch where no one will notice. Fools Tread Where Angels Fear To Go tells reveals that he’s a fool for her love and will do anything, walk the wire, etc. to win her love. In Bad Dog he portrays himself as a tail-waggin’ somewhat well-behaved puppy willing to do anything to make the girl take him home. I Only Mean The Best is a new heartfelt song about someone just trying to do the right thing and be the best they can, even though someone thinks the worst of them. The words may sometimes come out wrong, but no harm is intended. I’m Coming Home To You recounts the experiences of being out on the road far away from home living out your dreams but having other people tell you what you can and can’t be. It took him a while to figure it out but he’s finally come around. I’ll Love You Even More Tomorrow is a testament to the value of twenty years of marriage with many more to come! They were able to work through the ups and downs through the years but are in it for the long haul. Way to go, Erik!
September 2022 VOCAL Songwriters Showcase
One of the qualities I've always admired about VOCAL is its ability to deal with change. From securing performance venues, to challenges presented with the pandemic lockdowns, and a host of other "little things" that would bog down other non-profit arts organizations, Matthew Costello and the leadership and membership of VOCAL have managed to find unique, workable solutions to these and other issues.
For instance - what happens when the VOCAL Songwriter of The Year and the composer of the VOCAL Song of The Year, both member-voted accolades, who have the honor of sharing the playbill for the next Songwriters Showcase...but both award winners are the SAME person?!? And there's never been a Songwriter's Showcase featuring a SINGLE performer?!?
Solution - you put aside tradition for one evening, hand the virtual microphone over to the "Cute Girl with Glasses", and get out of her way!
This was the case at this year’s September Songwriters Showcase, when Keely Burn, the 2022 VOCAL Songwriter of The Year, and composer of the 2022 VOCAL Song of The Year, "Your Company", stood alone, center stage, and showed us why she was so deserving of this year’s top honors.
Keely performed a 12-song set of her greatest hits, alternating between her keyboard and several ukuleles, while recovering from the travel lag associated with a wedding she sang at the weekend before. Oh, and there was the unplanned technical delay due to Facebook's procedure change for livestreaming without notice or warning (see VOCAL’s ability to deal with change above).
Keely shared insights into her songwriting process and inspirations along the way, and the common theme for her is relationships. Her opening selection "Waltz" explored the dynamics of marriage. "When I'm Acting" searched for acceptance in a complicated relationship. "Masterpiece", a classic Keely Burn song, clearly laid out parameters and expectations in a troubled relationship. "Broken Heart" was originally a collegiate exercise in Dorian mode that evolved into a breakup song. Here, the audience was treated to a wonderfully fresh freedom in Keely's lyric and melody.
Keely took a moment to say that yes, relationships are her guiding songwriting inspiration, but her lyrics often explore conflict and the resulting reactions that are NOT typical of Keely personally. "Your Company" was such a song, where she drew her inspiration from close friends and a Sondheim work with a similar name. Keely followed our 2022 VOCAL Song of the Year with "Lightning" a fiery, spirited ukulele song.
Keely has an EP project in the works, which she tells us is all about anxiety. "Bed of Nails", one of the songs from her forthcoming project, deals with adults making friends in the digital age, and how individual backgrounds can, well, complicate things. "Doorstop" was her audition song for the prestigious Summer Camp of the Interlochen Center for The Arts. It was a treat to hear a song from Keely's younger years, a clever song of empowerment. In this song, the audience could hear clear lines between yesterday's raw talented teenager and today's polished energetic artist.
The set continued with "Come Down Love" - a primal and declarative work, because what's a love affair without a few rough edges to work out? Keely's next song was a change-up, called "Strike Three" - but it wasn't about baseball (wink). The next song was one of our favorites, "Cute Girl with Glasses" - love her, don't love her, it's all good! But don't forget the ukulele!
Keely wrapped up the night with "Out of The Flood", a reminder that even in hard times, life washes away the things that drag us down.
Congratulations on a historic, vibrant Songwriters Showcase performance, and congratulations to the 2022 VOCAL Song of The Year writer AND Songwriter of The Year, Keely Burn!
~ David Atkins
June 2022 VOCAL Songwriters Showcase
The June 2022 VOCAL Virtual Songwriters Showcase featured two fine songwriters who represent distinctly different points within the spectrum of our membership, Keely Burn and Doug Patrick. This was another virtual showcase using Zoom while streaming via FB Live, which has been our standard operating procedure during the pandemic.
Keely Burn
Keely opening the evening, sharing both her Richmond home as well as her favorite four-legged audience with us! Keely has been with VOCAL since 2013, where even as a teenager her creative potential was clear to see. Her songwriting is filled with smart, challenging lyrics, joyful melodies, and confidence in the face of a challenging world. Her set tonight opened with the self-affirmation anthem Not Afraid. From her forthcoming sophomore album release (stay tuned for more info), Bed Of Nails explored the difficulty of making friends in the digital age, and “friending” someone who ultimately isn’t worth one’s time. Switching instruments, we were next treated to “Ukalady”. (Don’t ask, just watch the showcase on our website archive!) Keeping with the 4-string theme, Keely charmed us with her quirky tongue-in-cheek bio-pic, Cute Girl With Glasses. Her next songs dove further into her new album project, in the form of anxiety studies, including Drowning On Thin Air and Your Company, in honor of Pride Month; addressing those dealing with the pressures of trying to conform to society’s expectations. Rounding out this portion of her set was The Flood, a call to prioritize real life issues over personal drama. Concluding with a song of empowerment, for anyone struggling to carry both themselves and a partner, Keely delighted us with one of our favorites, Masterpiece. Thank you, Keely, for a great set!
Doug Patrick
We then turned from one of our freshest songwriters to one of our most enduring. Doug’s standard of excellence has endured as long as many of us can remember, and no one tells a story in song like Doug. Doug’s stage was his screened-in back porch, complete with rocking chair and crickets for background ambience!
Doug opened his set with the dreams of a small-town boy looking for a faster life, in Good Time Train. Next, when things don’t work out, we took comfort in the promise of a home to come back to, in Rivertown.
I try not to use words like “old”, “seasoned”, and “experienced” in these reviews, but when the artist sings a song of fatherly love, written for his children, grandchildren, and great-grandchildren(!), the artist leaves me little choice! Congratulations, Doug, both on the great-grandchildren, and for your tender song I’ll Hold You.
Doug continued with a story of Kentucky migrants looking for better days during the Great Depression, in Getaway, an old (sorry!) VOCAL favorite made new again with a slightly slower tempo and a soulful, poignant singing of the lyrics.
Hot dogs just taste better at a baseball game, and baseball just looks better when the coach finally relents and puts your grandson in the game, in Put Him In The Lineup.
Doug’s interest in Civil War history came in handy for his next few songs. Molly told of the horrors of battle through the eyes of one soldier’s final lament, while One Lone Georgia Pine romanticized a dark time from the performer’s ancestry.
Doug then concluded this night of original songwriting excellence with a song of hope for the future, “food for thought” as he put it, in I Believe.
Doug Patrick and Keely Burn. Separated by generations, but united in the craft of songwriting and the pursuit of excellence. Thanks to you both for a wonderful evening of music!
April 2020 Showcase
These immortal words about postmen
“Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds”
would seem to aptly applied to Tonight’s VOCAL showcase.
After all: It would seem the coronavirus, technical difficulties and just plain logistics might put the kibosh on our monthly showcase.
But, noooooooo, nothing could stop it. Thanks to Matthew Costello and his intrepid fortitude, and know how, the showcase made its first ever virtual appearance on Facebook.
After a short intro by him, the first performer to take the stage was our wonderful young lady, Keely Burn. She cranked up her ukulele, for a handful of original tunes, which included a sort of self imaged song titled “Cute girl with glasses’.
She was followed by Prof. Dean Broga, who on guitar, regaled the viewers with some tasty tunes about the road and ended with a bluesy number celebrating (?) the coronavirus or covid19.
Next up, David Atkins, a long time VOCAL member and music teacher, demonstrated his songwriting abilities with songs covering a wide range of subjects from haunted houses to barroom moroseness with “One Drink In The Bottle” .
Capping the evening, which was limited in time to 60 minutes by Facebook, our president Matthew Costello pulled out one of his signature songs “Elvis Blues” with the singalong chorus of “Diggin’ Diggin’ Diggin'” which every viewer participated in (maybe).
As for turnout, a standard showcase at O’Toole’s brings around 20 or so folks out for the night, by my calculation and the figure on the screen, we peaked at 25, which is great for this first attempt a live streaming event. Given the circumstances, that will most likely remain next month, we will be anxiously awaiting the next VOCAL showcase.
2019 VOCAL Open Mic,
January 2019 VOCAL Showcase
Norman Roscher
Welcome to the first open mic night of the year. While the temperature took a dive into frigidity, the atmosphere in O’Toole’s was warm and toasty for some original music.
Hosting the event was stalwart entertainer Norm Roscher. To kick off the night he exhibited his exuberant piano styling with a couple of his tunes. “Yer Beautiful” was a tribute to an an attractive lady who evinced the qualities of the title in her style of dress and looks. “Apple Wine”, an older song rarely done by Norm, was a wistful journey into a young romance that ended sadly with one participant leaving the country.
Steve Nuckolls
Next up was another stalwart of VOCAL, Steve Nuckolls, who regaled the huddled audience with a trio of his well written songs. “Saturday Morning With Emmie Lou” Was tale of learning to play along with her (Emmie Lou Harris’s) songs, proudly gearing up for the session with new guitar strings and picks. He followed that with “Each Town Has It’s own Rocky Top” which illustrated how small towns have a great country vibe of people and atmosphere. A song written while running, was next. “When Like Turns to Love” which analogized the transformation of emotions to the weather.
Jeff Wagner
A fairly new member of VOCAL, Jeff Wagner, on guitar, followed Steve. “Wide Open Wyoming” was a tale of two separated lovers who fouhd a way to come together by compromising their geographic differences, in a hurricane, no less. “I Think I Might Forget, This Time” details a desire to get over a past relationship but the singer keeps getting images of her, that won’t go away, and leaves him perplexed. Jeff closed his set with “Who’s Your God” a sort of self explanatory song that asks the listener to think about what they worship.
Keely Burn
Keely Burn, a younger member of VOCAL, came on stage next with her newly acquired baritone ukulele and tested out her chops on “I’m Not Afraid” a work in progress, but still well done. Next, she performed “Come Down Love” , which she opened with a whistle intro, before getting into the song. This was a plea to an unrequited lover to recognize her and give her a chance at romance with the line “Plant your flag on me”. “Lightning” was the next tune. In this one, she seems to be mad at a love interest for being jilted, somewhat amazed at quickly emotions can change.
To round out the night, Norm returned to play a few more of his songs. In his more bawdier manner, the first song was “Mr. Calls Got Big Balls” followed by a co-written ( Pam McCarthy) tune “Idle Time” and closing out with a standard of his”So Long Baby, Bye Bye”.
Once again, a great night of music was provided and enjoyed by all present.
Happy New Year from VOCAL.
