Posts Tagged ‘O’Toole’s Restaurant and Pub’
November 2024 VOCAL Songwriters Showcase
The November 2024 showcase featured two of VOCAL’s most talented writers, Matt Manion and Carol “Torch” Torricelli. An intimate and attentive audience added to the magic of the evening.
Matt kicked off the evening with God’s Rhythm, a plea to God to help him find his rhythm, move his wooden feet and shape his clumsy body. The Royal Roach Hotel was born while spending a working summer in southern Louisiana and residing in the “lavish” Royal Hotel. The roaches and other critters were included in the cheap rate so I guess you get what you pay for! If That’s What it Takes is an interesting and current them where we wonder if it would take an alien invasion for us earthlings to finally unite in a common purpose (don’t hold your breath…). Necessary Trouble is an older tune of Matt’s touting the need to occasionally rock the boat in order to effect positive change. The song was born after hearing a speech by the late Congressman John Lewis. He then treated us to the heavenly Blue Springs Hideaway. This is a signature tune of his recounting the peaceful and beautiful experience of a mountain getaway in southwest Virginia. Job Hunting Blues is a sign-of-the-times number where you have to “show what you’re made of” prior to getting hired. So grab that cup, head to the restroom and there better not be a trace of anything we don’t want! He then delivered Jump Start My Heart, a “witticism” of Torch, asking his lover to get that muscle pumping, jolt me with desire. You got the spark so jump start my heart! Matt ended with another signature tune Life Can Be Funky on the Pamunkey, featuring Torch on guitar and harmony vocals. It’s a lazy, dreamy ride down the river taking in all the sights and sounds Mother Nature has to offer! Way to go, Matt!
Torch then took the stage with Matt accompanying her on her first tune We Are Virginia. This is a very beautiful and descriptive song about all the wonderful places in Virginia, from the Carter Fold birthplace to the Chesapeake Bay. She continued with a similar state theme with Come to Virginia, a song she wrote and performed for a trade show years ago. It depicts all the great reasons to come to our great commonwealth! Roads In-Between Us recounts the time when she was living in New York but all her friends were moving away so she was constantly thinking of the roads and miles between them. Speaking of close friends moving away, her next song was inspired by her New York boyfriend moving to Florida and having a passion for horse racing. He also happened to have a passion for cooking, so she wrote I Wish I Had a Horse Name Fresh Garlic, with all the images of following him in the horse-racing circuit and meeting in the winner’s circle! Paha Sapa is a Lakota Indian name that translates to “come tour with me”. This is a magical song depicting all the beautiful sights and wonders of Mother Nature around Rapid City, South Dakota. Swinging and Swaying is a signature tune of Torch’s with a dreamy, jazzy feel as she sits on the back porch, a full moon and fireflies accompanying her as she misses her “new squeeze” lover. I Know That You Know describes the communication (or lack thereof) between two lovers when they know they’re in love but are afraid/reluctant to actually say it. Tossing Like a Salad is another “missing my lover” theme where she just happens to be in the kitchen making a salad but is wondering why she hasn’t heard from her man. Highway To Your Heart is a really cool tune co-written with Glen King. He’s a trucker out on the road on his way home so all he can think about is heading for your loving on a highway to your heart! She then delivered another Glen King co-write called Give Me the Simple Life, a story of peaceful enjoyment of a vacation spot with a travel trailer in front of a lake. Descriptive lines like “only one station on this TV set” and “a hundred miles on my rocking chair” depict the scene. People Need Each Other was written during the Plague (Covid) and she dedicated it to Matthew Costello for all his efforts in keeping us together during that trying time. Truer words couldn’t be spoken! Ode to Thanksgiving is a fitting tune in honor of this important holiday that is squeezed between Halloween and Christmas and therefore is often overlooked. Way too much hustle and bustle during that time of year in my opinion. Torch ended her set with a very beautiful rendition of the Irish Blessing, for which she wrote the music. This is in the Public Domain and Torch did a wonderful job of making it “hers”. Great set, Torch!
Thanks to all who came out to enjoy some excellent original music!
Showcase Photos
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Photo Credits: Matthew Costello
October 2024 VOCAL Songwriters Showcase
In October the VOCAL Showcase featured a variety of stories, insights, and musical infuences from Bill Kaffenberger and Matthew Costello.
Matthew Costello
Leading off the October Showcase at O’Toole’s Pub and Grill for the Virginia Organization of Composers and Lyricists was the group president, Matthew Costello. A long-standing member and officer, Matthew brought his pleasant baritone to some ghostly originals for seasonal flavor as well as other notable originals.
“Ghosts of Center Hill” was a recounting of the memories of a rumored haunted house where creaks, cold spots, wispy shades and a “voice like the silent wind” was evidence enough of the spooky residents. “The Blanket” deliver a rocking account of the intensity of a relationship that was “meant to be” and included a “magic blanket ride.” This new tune had a catchy Springsteen vibe in the beat and melody. “What Is Happening” probed the feeling sparked by a new infatuation for a girl who “sits on my row in class” and wondered “is her smile a clue” to the potential for love?
“Get Me Some Happy” was a celebration of rediscovered joy in recovery and life where the singer realized and embraced surprising happiness. “Shadows of September” was a beautiful impressionistic tune and the pop ballad was a pleasant homage to Matthew’s favorite season. “Walking Willie” was the story of a small-town big man and was propelled by an insistent rock beat that mirrored the intentional and steady forward movement of the song’s protagonist. “That Kind of Love” told of a relationship that drew the singer in even though he recognized from the start that it was doomed to end sadly. “Catch a Ride”, a just penned tune, was an expression of the songwriter’s creative process that recognized all events, encounters and feelings could be what “the muse will provide” to craft another song.
Bill Kaffenberger
In town from his current home in California, Bill brought longtime sideman Dwayne Hearst for support in his top spot in the set. He kicked off with “She’s So Real”, a song to the irresistible girl with a “smile a million miles wide.” “Dad” was the singer holding on to the memories of his father many years after he passed on. “If I Asked You To Dance” had a nice pop feel over the invitation to begin a relationship through the “first dance.”
Tapping some of his early catalog, Bill and Dwayne then delivered “Atom Bomb Song” a plea to the nuclear nations to “don’t drop no atom bomb on me.” “Lonesome Rider” featured excellent harmonies in a Kaffenberger classic from the Open Door Ministries coffee house days down on West Grace Street in the VCU campus. That gospel tune entreated the “lonesome riders” in the audience not to “let your life slip away” in regret. The follow up “Something Greater” spoke of the assurance that “someone greater than you or I” was evident in the wonders of the world. Finally, “Thy Will Be Done” included more tight harmonies and a driving rhythm in Bill’s powerful song about surrender.
“Maybe By Then” used a nice repetition of phrase in a lyric about a girl the singer hopes will eventually realize she belongs with him. “Why Did You Give Our Love Away” highlighted a rueful remembrance of a woman who spurned the love of the singer. In a bow to the upcoming Halloween event, Bill gave listeners “Zombies,” a song not about the undead but about the unaware cell phone users wandering aimlessly through streets and their lives, missing everything around them. “Sun’s Going Down” was an acknowledgment that, even with life bringing hardship, there is a beautiful sight on the horizon available every day. “The wrap up “Take That Train Trip” was delivered with a audience sing-along chorus in a tune about making time for the things you imagine will be joyful in life, encouraging listeners to “take that train trip, take than nap, bounce that grandbaby on your lap.”
Showcase Photos
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Photo Credits: Matthew Costello
September 2024 VOCAL Songwriters Showcase
2024 September VOCAL Showcase
The September 16th showcase featured, Russell Lawson and Ken Roller. Russell has been a long-time member of VOCAL and Ken is a fairly new member.
Russell Lawson
Russell was the first performer. He sings in a clear and understandable vocal style. His first selection was "Montana Wide" a song describing the geography of Montana, the wide-open plains, the clear skies and majestic mountains that could only have been designed by God. This was followed by "Grandma and Me" delivered in the voice of the grandpa talking to the grandkids and assuring them no matter their station in life they will always be welcome back home. "Where Are Your Tears" was a breakup type song where the singer inquired "were you faking it all these years". This was followed by "Lazy Gal Cafe" depicting the patrons who used the cafe as a stopping point as they journeyed along the Santa Fe trail. "Moments" captured the images of the past with a tinge of sadness and heartache. Another cafe stop "Wayne and Maggie's" was about truckers and every folk and country singer who made the cafe a mandatory stop. The song featured Russell's whistling. The last tune in his set was "Penguin Blues" complaining about the cold and ice in his life which was contributing to his blues state of mind.
Ken Roller
Ken Roller kicked off his set, with guitar and drum box, which helped him keep time and add some bass undertones to his songs. First up was a song he wrote for his wife many years ago, "Two Part Harmony" in which he says she was the missing puzzle piece in his life. "The Burn" referred to a relationship in which the other party acted as gasoline to his desire. In "Diversity" despite having different origins and ethnicities we are all made of the same flesh and blood and diversity is what makes life interesting. "Tripping Through These Days" talks about relatability and ignoring the hype we are subject to and accepting each other as we are. "Lines" was a song written with his daughter which talks about how we are connected to each other. "Tell It to My Heart" co-written with Glen King, is a love song in which the singer pleads with his lover to open up and discuss differences so they can come back together. A Pandemic song, "Locked Down", discussed the need for and advantages of vaccines even though some thought they were no magic bullets to stemming Covid. "Live In the Moment" asks us to make the most of each day and find joy in the little things like raking leaves. Next song in his set had Ken reaching out to his audience to "Share Your Love" a 60's type suggestion that we all reach out to each other with unabated love. "In Virginia" was a musical travelogue about the state which Ken wrote in a contest for a state song and extolled the beauty of Shenandoah's fields. Lastly: "Keep Hope Alive" wondered if the singer would get lucky in his pursuit of love for the night.
The 18-song night was enthusiastically received by the attentive audience
Showcase Photos
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Photo Credits: Matthew Costello
August 2024 VOCAL Songwriters Showcase
The August 2024 showcase featured the 2024 VOCAL Songwriter of the Year and Song of the Year winners. Veteran writer Glen King was honored with Songwriter of the Year at our annual banquet and long-time VOCAL member Doug Patrick received the Song of the Year award. Jim Puckett and Steve Nuckolls rounded out the slate of performers.
Jim Puckett kicked off the evening with three of his well-crafted tunes. Learning How to Say Goodbye is a love-gone-wrong song about coming to grips with the fact your lover is gone and trying not to cry about it. “Don’t let my heart get in your way” and “writing another letter to the trash can” describe it all! Vegas By Now is an ode to doing stupid things you regret and now you find yourself in the county lockup instead of winning lots of money and getting married in “Lost Wages”. Mab Sky is a tribute to his ancestors who lived and worked in the mining camps, where his grandad drove a grocery truck delivering to the miners. They gave it their best while there but worked hard to escape the camp and find a better life.
Glen King then took the stage with his keyboard and backing tracks and treated us to six songs from his vast catalog. A Rainy Day With You is a jazzy, uplifting tune about being with your lover on a rainy day, not a care in the world about the stormy, wet weather outside. What We Leave Behind is an award-winning ecology song depicting all the environmental abuses going on today, such as the wave of plastic floating on the sea, oil spills, etc. A Song on the Radio reflects his thoughts on the tune he hears continuously over the air, reminding him of this lover and wishing he had said those words about her. It’s Always Sunny is a beautiful love song to his wife, a testimony that everything is great when she’s around, no cloudy skies, brighter than all the summers since the dawn of creation! Glen recounts the wonderful memories of his beloved cat with You Left Your Mark on Me. They watched the young cat as he learned his way and cared for each other when one was under the weather. We all know how sad it is to lose a close furry friend. I Don’t Mind The Rain is an optimistic tune telling us it’s okay to enjoy the rain and all that goes with it as the sun will shine another day! This song involved audience participation in accompanying Glen on the chorus.
Steve Nuckolls then took the stage with three of his tunes. The first was Morning Glories, a song co-written with Glen describing a couple’s life along with the happiness and sadness accompanying it. The song’s setting always ended where the morning glories grow wild by the road. One Half of the Man and Dog is a new song describing a man and his dog who are often seen panhandling along the median in the city streets. You Get To is another new song recounting his father’s words of wisdom, that you don’t have to do something, you get to and should see it as an opportunity!
Doug Patrick finished up the evening with four of his finely-crafted numbers, including the Song of the Year. He opened his set with the self-described “dysfunctional relationship” song You Don’t Cross My Mind. Yes, he certainly remembers all the good times they had but the bad memories are much more vivid and forgettable and now he can do what he wants when he wants! He then took us to the horse track with his memorable Watch That Red Horse Run, a tribute to the horse racing champion Secretariat. It’s a cool tune with great imagery about being at the race track, numbers in hand, just waiting for that underdog to blow everyone away! He then performed his Song of the Year winner Where the Wild Wind Blows. This is a beautifully finger-picked song about his life on a desolate mountaintop and the woman he loved. She was all he needed to fill the hole in his heart, but she couldn’t resist the pull of the city lights so left him high and dry. He still sees her silhouette today against the pure white snow. He ended his set with an ecology song Leave It Like We Found It, offering some very sound advice on some simple things we can do to help the planet and leave no trace.
A great time was had by all listening to excellent original music!
Showcase Photos
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Photo Credits: Matthew Costello
July 2024 VOCAL Songwriters Showcase
The July 2024 showcase was attended by an intimate crowd who braved both the scorching heat and John Ellis’ guitar licks. John and Stephen Rockenbach were the featured performers for the evening.
John kicked off the evening with several of his signature tunes accompanied by his acoustic/electric and all-electric guitars. A Band of Silver was conceived after overhearing a conversation of a bride-to-be and reminds us that the “circle” of the ring is much more important than the materialistic shiny stone. Walking With Sharon is a very pleasant instrumental featuring John’s finger-picking finesse and would be the perfect accompaniment while you are walking with your favorite companion. Autumn Hours reveals numerous elements of the transition between summer and fall, which is a very delightful time many folks look forward to. John turned to his electric guitar for Talah’s Revenge and I do believe was channeling Jimi Hendrix with his hot licks! In this tune he’s being haunted by a past lover who won’t leave him alone. He wonders if perhaps he was focused too much on the physical aspects of the relationship rather than getting to the “heart” of the matter. The Stranger is probably John’s most well-known song and also featured some blistering guitar work. It seems like everywhere he turns he is eluded by love. Talking To Myself is an older tune of John’s where he’s almost in a dream state, wondering what the night will bring. There may be faceless people drifting by on the street or he may be alone, but he’s only talking to himself after observing the disconnected stares and expressionless smiles. John ended the set with Put Me In My Place, a love-gone-bad number where his lover turned out to be way different than he originally thought. The body was open but the heart was locked! I thought I detected some Rory Gallagher licks in this one. Way to go, John!
Stephen Rockenbach, a relatively new member, then took the stage spinning his folky homestyle and quite catchy tunes. Morgan’s Great Raid is the story of a Confederate cavalry raid that occurred during the Civil War. Stephen, accompanied by his clawhammer banjo playing, led us along a vivid journey through Kentucky, Indiana and Ohio as the Union cavalryman pursued the Rebels. The Narcissist’s Waltz (fingerstyle banjo) is a catchy song co-written with his wife Tre describing the self-centered individuals in this world. The Last Song of the Night summed up all the experiences of playing country rock cover songs through the years and trying to decide what goes into your set list. The rest of the band (Goats on a Leash) joined him at this point (guitar, mandolin and fiddle) for The Pollinator Song, a wonderful singalong that the crowd enjoyed. This was written for the Chesterfield County Honeybee Festival to stress the importance of the pollinating bees, butterflies, etc. Goats on a Leash is another catchy song inspired by the guitar player who owns a “goat mowing” business and is dedicated to a late friend and bandmate Gary Whaley. Can those goats play a kazoo while munching kudzu? Unsinkable Sam is a “tail” of a cat that survived several naval battles in World War II. He lived in five different warships during his time at sea and is recognized in the National Maritime Museum in Greenwich, London. Pull Me Up By My Boots is a tribute to the family that raised him and especially the musical influences they had on his life. I Say See You Later is a relevant suggestion to the world when taking leave of friends and loved ones. Saying “Goodbye” sounds so permanent and short-sighted, so focus on the long-term and say see ya’ later! Stephen finished out his set with The Happy Bunny, another great singalong written for his wife in an effort to cheer her up. Inspired by a plush bunny sitting on a shelf, the bunny only wants for you to be happy, so if you’re not you can kiss his derrihare! Great job Stephen and the Goats!
Showcase Photos
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Photo Credits: Matthew Costello
June 2024 VOCAL Songwriters Showcase
O’Toole’s was packed for the June 17, 2024 VOCAL Showcase featuring songwriters Dave Drouillard and Norman Roscher. Dave started the evening off with his solo set, and, after a short break, Norman performed solo and then alongside his band Norman and the Clackwells.
Dave Drouillard
Dave opened with a lovely mandolin instrumental called “Grandma Betty’s Waltz”, which he wrote three years ago for his mother. Next was a new song named “Hymn to the Crooked Road” which he wrote as part of a writer’s project for The Crooked Road, Virginia’s Heritage Music Trail in Abingdon, VA. Then, Dave shifted to his six-string guitar and finger-picked his song “Angel in High Heels”, about a young woman who came to Boston to study law and “defended the lowest…before a judge…an angel in high heels…country music her delight”.
Dave continued with “Walk Away From My Door”, a song about the Dust Bowl he wrote 60 years ago when he was 14 years old, trying to imitate Woody Guthrie. Lyrics included “…We came out west to work the land, we found America together hand in hand, but now the dream has turned to dust, the well is dry the plow is rust.” “Robin’s Song” followed, an Appalachian folk tale Dave wrote for his wife Robin, including “…and I love you forever like grapes on an endless vine.”
Dave, in white collared shirt and blue jeans, and grey-speckled hair and beard, switched to a Roland keyboard for his next song, “After The Buffalo”. He wrote this around the time of the Kent State Shootings, which occurred at Kent State University in Ohio in May 1970 at a rally opposing the Vietnam War. Four students were killed and many wounded. “You cannot understand why it haunts me so…” he sang of that tragic time.
Dave finished his set with an inspirational, moving song written by fellow VOCAL member Glen King, entitled “Walking in The Light”. At the keyboard, playing with purposeful intent and with strong vocals, Dave sang: “I do not tremble, when I see a cloud. I feel no panic in a gathering storm…I am walking in the light, in the light of Jesus. I am walking where shadows fear to go.” Dave’s set was well-received by the appreciative crowd.
Norman Roscher
Norman walked onstage in striking visual style, with multi-colored top hat, jacket and tie, his long hair tucked neatly under his hat, along with his full, flowing beard. He played a KORG keyboard for his first song, entitled “Heaven”, and sang “…If I should ever get to heaven, it won’t be because I lived a holy life…”. The song continued that maybe he drank too much whiskey or loved too many girls, but that he could only be himself. A bouncy vocal interlude of “bump, bump, bump” got the audience singing along.
It has been said you can identify a great artist immediately upon hearing them. Norman is one of those artists. Top hat or not, when you hear Norman, you know it’s Norman. The gravelly growl, calliope piano sound and brilliant costumes harken back to vaudeville and make Norman a one-of-a-kind musician and singer/songwriter.
He introduced his next song “I’m A Fool” as a slow one, and it had strong chords and a boogie rhythm. “I’m just a simple man….but I’m a fool” he sang, playing quick runs up the keyboard. Next was “So Long Baby”, a toe-tappin’ composition Norman wrote in the 1970’s. He was joined onstage by Charlotte, and, one of Norman and Charlotte’s three daughters, Deanna, who both provided background vocals.
“I Think I’m Going to Take My Baby Dancin’” followed, a jumpy tune written by VOCAL’s Bill Wellons, one of Norman’s favorite local songwriters. “She’s got no rhythm, but she don’t care….well, I’ve never been a Fred Astaire.” The O’Toole’s crowd sang along at the end, “Tonight!...tonight!”
The beautiful “Waiting for the Moon” included vocal harmonies from Deanna and Norman’s youngest daughter Melody (Mel). Norman recalls recording the song with musical partner Glenn Habel in the 1990’s for Dog’s New Clothes first real CD. Mel, just 11 years old at the time, was in the studio as they worked on it. As he sang, Norman showed his proficiency on the keyboard with almost chime-line sounds, and ended the song by telling the audience “Singing with my daughters is the greatest high.”
Norman said he started writing songs when he transferred from John Tyler Community College to VCU in 1970. He continued his set by strapping on his guitar and bringing up The Clackwells, whose lineup is: Eliza Brill (Slinky Clackwell) on vocals and washboard; her husband, Evan Esche (Stinky Clackwell) on vocals, fiddle and bass; Deanna Lorianni (Blinky Clackwell) on vocals and percussion; and Christie Wright (Pistol Clackwell) on Drums.
The Clackwells first song carried forward the distinctive tongue-in-cheek Roscher style, the lively “Dr. (Doctor)” with the lyrics “I liked to play doctor, because at doctor I was best…” and later “…I found what I was looking for, so I don’t play doctor anymore….” The rollicking “You, Me and Baby” followed, a song Norman wrote for his kids, which featured great vocal backup from the Clackwells. Then “Sweet Nector”, a song about an imaginary pot farm, and also “You’re Beautiful”, a song encouraging the listener to say you’re beautiful when you wake up, which featured a jaunty “call and response” between the band and the audience.
Norman dedicated his next song “The Hat” to his young grandson Cyrus, who was in the audience with Norman’s family. Lyrics included “I live in my hat…..my hat is the perfect place to be.” Norman then brought up VOCAL member and Spectrum band’s Gary Shaver (The Blade), who added his saxophone to “Roamin’ Eyes”. Gary, in Hawaiian shirt and shorts, blew notes up the scales, eyes closed as his smooth, rich sax sounds reached soaring heights. Norman said the song was almost 40 years old and originally arranged and produced by Richmond’s music legend Bruce Olsen.
Norman then thanked the large crowd for coming out, and introduced the Clackwells’ last tune, the love song “Within Your Eyes”. After they finished, the large crowd insisted on an encore, which they obliged with the “Clackwell Theme”, a hilarious fictional history of the Norman and The Clackwells Band, with the mom as a lady wrestler who “….learned to play the washboard doing laundry all the time…” and “If you don’t like their music, I guess you’ll leave the room.” But the real finale and show stopper was Norman’s quintessential song “Boobs”, “…shoo-ba-dee-do…” about a man’s live-long love, obsession and devotion.
A fine night of music, iced-tea, onion-rings, dark and light beers, and friends.
Showcase Photos
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Photo Credits: Matthew Costello
Dave Drouillard
Dave Drouillard
Dave Drouillard
Norman Roscher
Norman Roscher, Deanna, Charlotte
Norman Roscher
Norman Roscher, Deanna, Mel,
Norman Roscher
Norman Roscher
Gary Shaver,
O'Toole's Audience
O'Toole's Audience
May 2024 VOCAL Songwriters Showcase
Our May VOCAL Songwriter’s Showcase was again live at O’Toole’s with performances from long-time members Steve Nuckolls and Rona Sullivan.
Steve opened the showcase with a great tune reminiscing about his childhood home in southwest Virginia, a town that was “Two Hours From Everywhere.” Then his solid tenor took us to “The Gossen Mines”, a place he knew in his childhood near Galax where you would get “iron your clothes” just by walking through. His song spoke of the risky thrills of exploring the old mine that his dad warned him about. The minor key infused the memories with a tension and longing well suited to his range.
Steve introduced us to a song “rewritten a hundred times” concerning “you know when you toil Monday and it seems you’ve already worked the whole week.” Despite the “workplace bull”, the singer is still headed for “Destination Party Time.” Next, he gave us a new song about a lesson from his dad on the subject of appreciating life and understanding rather than “things I have to do,” “You Get To” participate. “There’s a Future in Us” called on Steve’s high register and expressed the singer’s longing for relationship and the opportunity he felt was eluding him with someone who was once part of his life.
Another new tune was a stellar story about “my favorite waitress” who might not know the narrator yet but at least “She Remembered My Beer.” There was a nice sense of anticipation in the lyric that paid off at the bridge when they “finally got to know one another” and the lady “knows my beer by heart and now remembers my name.”
The song “Married to the Same Person” was based on acquaintances whose first marriages had been unsuccessful because of the similarities of each other’s spouses. The good news in the song is their new relationship represented “a just reward for our painful past…now that we’re married to the right person.” Steve closed with “Praying for a Rocky Top” where the singer hoped to find in his new home a place that recalled his fond childhood memories of a hometown “Rocky Top” establishment. The tune was another that rested in Steve’s higher register and you could hear the yearning for the security and sense of belonging from an earlier time. Well done.
Rona Sullivan’s set reintroduced VOCAL to her powerful alto and muscular songwriting after a couple of decades absence “because I lived on a farm.” She brought “Just Gimme the Truck” alive as the narrator told off her ex and dismissed the settlement for the mode of transportation most desirable at that time. Using an off-meter line to highlight the titled refrain made the message even more clear.
Next, she softened the delivery for a finger-picked “Beside the River,” an ode to her current home and the charms of waterside living. This used several augmented and ninth chords to accentuate the poignancy and allowed the nice vibrato in her voice to be accentuated in the longer notes during the mournful melody. Next, Rona took us to “a scary place in Virginia” to tell us the story of Three Forks, where “the snakes they handled” and the “secrets held by folks in the grave” spooked her so much, she was glad she “got out alive.”
The next song performed (she said it was out of her “angry” period) matched the stronger female narrator against a less skilled guy to whom “For the Cowboy at the Bar” was dedicated. The singer asserts, “I’m a gypsy [and] you think you are a cowboy.” However, the storyteller could see right through the bluster and wouldn’t be put on the “chain around your neck.” Similarly, “Expert” took issue with a narrow-minded fellow who claimed Rona wasn’t the right person to sing the blues, so she immortalized his appraisal by writing a blues tune to give him “your 15 minutes like Warhol said you would” while dismissing his “expert” opinion and proclaiming “I’ll sing whatever I want to.”
“Woman in Black” was the tale of a self-described confident woman who is “a little bit weird” but sees herself in demi-god terms with “wings on my back” and later “flames on my back.” This was followed by a newer song about relationships where she admitted “Wherever I Am” she was always the person making the choices. She had some regret that “I follow me wherever I am” and she “can’t get far enough away from me.”
Songs can come from the weirdest places, Rona explained, introducing “I Don’t Need You” as an example, taking that phrase as a title when a friend asked her to stop looking over his shoulder in a project. The lyric confirmed her goal of making her own way as a singer/songwriter and not be silenced.
A lightly picked “Words” featured Rona’s compelling vocals in a folky ballad reminding listeners that she’s “got stories to tell.” The creativity will be in lifting the stories from her own life says the lyric. The final “Boggie Man” was a raw blues number about a character who “curse[d] the day he was born.” With “friends in high places” there’s a threat that he’ll “put you down” if you don’t steer clear. Glad you’re back in the fold, Rona. Let’s hear some more.
Showcase Photos
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Photo Credits: Matthew Costello and John Ellis
April 2024 VOCAL Songwriters Showcase
Tonight's VOCAL showcase was what one might call a folk festival featuring two acts of great classic folk music. Doug Patrick is a long time VOCAL member and he started off the night with a five pack of his seasoned songs. "Good Time Train" followed the longings of a down and out family with each member longing to catch a ride out of dire circumstances on the song's title. "Put Him In The Lineup" was a cry to give a much unheralded baseball player a chance to get in the game. pleading to the team manager that the guy could "hit the tater a country mile". Commenting on the wasteful conditions the world is in, "Leave It Like You Found It" was a song asking the listeners to treat the planet with respect and give recyling a chance. Doug's tender side came out next in his "Ill Hold You As Long As I Can" telling a distant lover while out on your journeys, keep me in your heart. Closing this segment of the showcase, Doug was accompanied by Gary Shaver on clarinet with a nod to "New Orleans Nights" with a tribute to the great music one can find down Bourbon Street in places like Preservation Hall.
Next up: The duo of Gene and Gayla Mills began their set with " Anna Mae" painting us a picture of a venerable lady, followed by "Eight Lanes Headed West" a musical map of how to get the heck out of Florida with all it's vulnerability to hurricanes and other disasters. "Fools Gold" is a stand in for love unrequited with is better left alone just like a worthless stone. Talking To A Stone" exhorts the listener to talk to those you love and respect before they are out of your life because a stone cannot respond emotionally. The last song in their set was the story of the "Fiddle In The Wall" which tells about how a fiddle was discovered buried inside a wall of a cabin being torn down and how it got to be there. The reason suggested that the hider's motive had to do with a religious belief that "When my Savior calls, gotta put his ( the devil's?) fiddle in the wall."
The third segment of tonight's showcase was a collaboration between Doug and the Mills, trading off songs through their set.
"Bad Luck" by the MIlls was a description of how being down can affect one's life causing them to suffer such things as bad booze and rotten meat. After all. "Bad Luck" by any other name is just a numbers game. Next, from Doug, his story song about lessons learned while growing up and being "At My Grandfather's Knee" was the safest place to be.
"Around the Lake" was an instrumental picked by Gene Mills. "Where The Wild Wind Blows" was a sad tale of lonliness by Doug. This was followed by Gaya Mills who took her turn at the mike with "Twelve Days" of an exasperated person trying to find work and not having much luck, finally declaring "I'll take any job at all." Going back to his East Kentucky roots, Doug regaled us with "Getaway" and living life back in those younger days. Finally: another going back to your roots song from Gene "Forks Of Buffalo" told us about his life away from that tiny Virginia town and how after living 40 years away in places as diverse and California and Maine, it was a pleasure to once more see that old home town again.
A very appreciative audience gave the performers a rousing round of applause for a great night of music and camaroderie.
Showcase Photos
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Photo Credits: Matthew Costello and John Ellis
March 2024 VOCAL Songwriters Showcase
Another fine night of music as Glenda Creamer and Jim Puckett, two of VOCAL's regular members, shared their talents with the assembled audience.
Jim Puckett
Jim was first to perform. Five songs were brand new. He started his set with "The Act of Mercy" which was a confessional song hoping to receive atonement for breaking the rules of life. This was followed by "Ragged Edge" then a song about mortality "Kicking Up The Coals". "The Speed Of Sin" told about a person who acted foolishly and paid the price for her actions. "Everybody Needs A Home" described the anxiety the singer felt about returning to his roots and how he might feel when walking through the door once again. Next: "Pick Up The Phone" was a desperate plea to a loved one to answer the phone and hopefully, be alone and not with another lover. Going back into his catalog, "Poor Elena" was based on a true story about a midwife in the back country who despite her own loss of children, brought forth many others in her life's work. This was followed by "Home, Tonight" wishing to satisfy his need for love.
Glenda Creamer
Glenda is a long lime VOCAL member and a frequent showcase performer. She began her set with a series of song inspired by the Bible. "Wherever You Go, I Will Go" has the singer pledging herself to follow the love of God and God himself. "Your People Will Be My People" gives comfort to those who follow Jesus by assimilating His words. "This Wine" refers to turning water into wine, and being a "mighty fine wine". In order to fully understand the message of Jesus it is important to "Slow Down" while walking with Him and more so, to get back on your feet should one fall down on the way which was told in "I Fell Down, Last NIght" . Moving away from the testament, Glenda switched to some humorous songs "Frogs" being first up. As she tells it, frogs are everywhere, On your windshield, in the trees and scarlily, in your toilet bowl. Like the frogs, they should make you jumpy whenever they appear. After pulling the "Horse in The River" out, we were given a a tour of "Mrs. Grizzard's Washing Machine" wringer and all. "I'm Leaving Cody" was a tale of heading back home from the Wild West to Virginia, "Moonshine Sky" was followed by one of Glenda's standards "I'm A Witch, Today" describing the singer's feeling of casting spells and flying. "Confessions Of A Germaphobe" was self explanatory about the fear of being infected by things like a dog bite. Returning to Bibical references, her last song of the night was "The Splendor of King Solomon".
Thus, the showcase concluded with a wide spectrum of musical subjects and styles.
Showcase Photos
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Photo Credits: Matthew Costello and John Ellis
February 2024 VOCAL Songwriters Showcase
The February 2024 showcase took place on February 19th at O’Toole’s. An intimate and attentive crowd attended the event with one patron even seeking out a tip jar!
VOCAL President Matthew Costello opened the accompanied by backing tracks as he is unable to play guitar at this time. Walkin’ Willie is a catchy number many of us can relate to about a bomb-surviving war veteran whose purpose in life seemed to be walking the streets all over the town. Not sure exactly where he needed to be but he was heading there anyway! The Ghosts of Centre Hill is a Petersburg-based story about ghosts inhabiting the house and grounds of this early 19th century mansion. Shadows of September is one of Matthew’s more recent signature tunes that I believe came out his songwriting classes with Harriet Schock. The tune has some beautiful imagery and play on words describing the long shadows of the short days in September. Get Me Some Happy is the story of curbing a life of excess and taking the correct turn at the crossroads of life, occasionally resulting in “getting’ some happy”! He then delivered The Artist That Hung The Moon, one of his most touching works describing the wonderful artwork of John Atkinson Grimshaw. Missing Planks is a new song containing numerous images of a deteriorating dock observed over time and etched in your memory. The heart pine from a tree was like the branches of a family. Matthew ended his set with Behind the Scenes, a vision from a dream where he seem himself out front on the stage, but there’s a backstage crew making everything happen. Way to go, Matthew!
Russell Lawson took the stage with several of his awesome tunes. Montana Wide recounts the experience of a mission trip to Blackfoot Indian country in 2016. He has numerous vivid images of this breathtaking part of the country along with the spirituality he felt along the way, totally in harmony with the people of Montana. If You Call Now is a love-lost song with the narrator at fault. He knows that she’ll probably never come back to him but he’s leaving the door open in case she has a change in mind. Life Sentence is another love-lost number about being locked up without her love with no parole/visitors and having to spend this grueling life knowing what might have been. Russell then brought us Hallow Ground, a haunting yet beautiful tale born from attending a memorial service in Hollywood Cemetery. Wheatland is a tranquil spiritual story about departing this earthly world and looking down upon the serene river property on your way to Heaven. The grieving hearts will eventually find peace knowing you’ve found freedom in your beautiful resting place. High Road and Low describes the life of attempting to take the high road most of the time but inevitably falling down along the way – now that we’re here on this mountaintop with family and friends we’re back on the High Road! Ol’ Jack and Daddy is an interesting tale of Daddy’s love for Jack Daniels that made him run away from the family. He did have the decency to leave a note in an empty whiskey bottle along with a check for Mom to use for the kids! He then performed Charleston, an ode to his hometown in South Carolina that included vivid imagery of this beautiful country. He demonstrated some mighty fine whistling on this number! Penguin Blues is a “cool” tune that took flight when he was helping his son with a school project related to Antarctica. All I eat is fish, gotta go with the floe, etc. Wayne and Maggie’s Grill is a signature Russell tune that came from a dream. It’s a nostalgic view of an old truck diner that was torn down to build an interstate highway. Many great memories remain of its heyday when great food was being served and nightly live entertainment was held. RIP Wayne and Maggie’s Grill! Great job, Russell!
Showcase Photos
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Photo Credits: Matthew Costello and John Ellis
January 2024 VOCAL Songwriters Showcase
After a week's delay due to weather conditions, The January 2024 VOCAL Showcase got back on track at O'Toole's on the 21st. Despite the delay: There was a packed house ready to be entertained by the night’s songwriters. Performing this week were two veteran VOCAL songwriters, Jeff Wagner (with his wife Sherry) and Matt Manion.
Matt Manion.
To begin the night, Matt went up first and began his set with an old song, "Things Have Changed" which related the story of a liberated woman who decided to go out on her own. This was followed by “Don’t Stand By Me” one from his catalog, depicting the anguish a band member feels when one of his mates is fooling around and he fears a jealous husband will shoot the guy while he’s standing next to him on the stage. “Getting Old is Getting Old” relates the emotion the singer feels as the title says, and “a long life could be considered a luxury”. Early Richmond was the seat of slavery and in “Devil’s Cafe” we get a picture of what it was like to live in those times. This was followed by “Forget Yourself” a song about forgetting yourself. Cranking up the tempo, Matt rocked out “Playing On My Dobro” though, not on one. Next tune “If That’s What It Takes” asks the listeners to me less self-involved and think of others in a collective way as “us” and not “’you and me”.
To finish his set, Matt revived one of his classic rock tunes “Thank You Chuck Berry” which as the title implies, is a tribute to the late great guitar and blues player.
Jeff and Sherry Wagner
Jeff and Sherry make up a husband and wife music team, though Jeff sometimes solos, at showcases. Tonight, both playing guitars traded off songs during the set.
First up “She Was Raised on Sad Songs” one of his standards, about a woman growing up on music that matched her life conditions. Sherry took a turn and gave us “Fierce Friendship” depicting the depth of commitment one can evoke when there is reciprocation. Jeff continued with “Ghost Rider” an eerie tale of imagination and then gave us “Play From The Heart” a moon shiners lullaby and life tale. Sherry followed with “Soft Petals”, a lovely song about flowers that flourish with sun and air and give you a beautiful garden to love. This was followed by “the Devil’s In The Details” and then an epic song about “The Old Guard”. Based a real life experience, Jeff relates the tale of four of his friends who have grown up together and the paths their lives have taken. Some of the lessons they learned appear in the lyrics. “we have seen our share of life” and “we suffer no fools”. Good advice. Lastly, “Musicland” presented the audience with a musical tour Jeff and Sherry took of Nashville and the sights and sounds it offers. Music being the main thrust with people singing everywhere even “someone singing in the sheets”.
A great night of music, friends and food.
Showcase Photos
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Photo Credits: Matthew Costello and Norman Roscher
December 2023 VOCAL Songwriters Showcase
The December 2023 showcase took place on December 18th at O’Toole’s. There was quite a spirited crowd in attendance and most folks were very attentive to our performance. This showcase is always special as it features numerous VOCAL members who are playing mostly holiday and/or seasonal-themed songs. VOCAL threw out a challenge years ago for the members to write such songs for this annual event. Door prizes are also offered at this event so there were many happy winners of VOCAL-related merchandise, gift cards, etc. and even signed books from a local author, Maggie King! (thanks, Maggie!).
Long-time member Russell Lawson opened the show with three of his finely-crafted tunes. Ice Falling is a sobering story depicting the signs of global warming. Dear Santa is a fairly new song of Russell’s describing how the times have changed now that the kids have grown and everyone wants iPhones, x-boxes, etc. under the tree. We are still amazed at the magic way you do the things you do! Christmastime is Here is Russell’s first holiday challenge song from 2004 where he reveals all the vivid and memorable details of the Christmas season (hurried shoppers, mistletoe, candlelight, etc.)
Matt Manion then took the stage and opened with The Crossroads, a tribute to the Saturday night showcase from the 70’s that was held in the basement of St. James’s Episcopal church. He recounted the excitement and eagerness of getting your slot on the stage. Blue Ridge Mountain Hideaway was co-written with his friend Richard which conveys a sense of peace and comfort hanging out on a mountaintop in the Blue Ridge witnessing breathtaking sunrises and sunsets. Quarter to Midnight is one of Matt’s signature tunes recounting his experience on Christmas Eve heading to Midnight Mass and the human interactions he is involved with along the way.
Long-time member Glen King then opened his set accompanied by piano. Christmas Came Early tells the story of the best Christmas gift ever for a loving couple when their baby was delivered in July. It was 95 degrees in Abilene, the paper said July but he had snowflakes in his eyes. Song on the Radio was written for the ukulele but sounded just fine on the keys (“you’re like a song on the radio, an angel in the choir, saying words I wish I had”). Glen left us with another holiday song I’d Like to Spend New Years Eve With You. Now that all the holiday rush is over, there’s still one present I’d like. I’d like to spend time with you and make your New Years dreams come true!
John Ellis then treated us to two of his signature holiday/seasonal tunes with his stellar guitar playing. Winter Solstice is an intriguing instrumental that allows the listener to conjure up their own images of the season. Me and My Baby on a Cold Winter Day offers the perfect warmup recipe for romantic, cozy indoor time with your lover!
Glenda Creamer graced the stage with three of her holiday-related tunes. We’re Getting Ready for Christmas describes the planning, shopping and all around hustle and bustle that accompanies the holiday. The Story is a very beautiful biblical tale about the birth of Jesus and the true meaning of Christmas. The Cookie Exchange describes that munching temptation this time of year and balancing it with your dietary needs.
Carol Torricelli (aka “Torch”) pinch-hit for another member and brought three lovely tunes to the crowd. We Are Virginia describes the many splendors of The Commonwealth and could be the official state tourism song. The Ode to Thanksgiving gives a bit of pity to this oft-overlooked holiday as it’s sandwiched between Halloween and Christmas. When candy corn goes straight to candy canes you know you’re missing something in between. The Roads In Between Us is the story of her life in New Jersey and Manhattan when many of her friends moved far away. Even though miles apart she could sing to the sunset and bring them back close.
Jim Puckett brought a couple of his seasonal tunes to the stage with Snowey Mountain Bride, a Civil War-era number about a man leaving the battlefield on Christmas Eve for the western slopes of the mountain where the lady to be his bride is waiting. The Morning After New Years Eve is a new tune asking for a chance at redemption in the new year, as it’s never too late to make amends.
The Bluegrass/Folk duo of Gene and Gayla Mills ended the evening with a handful of their homespun tales. Let Fallen Snow Be All We Hear is rich in cozy images of being stuck in a cabin in the woods with heavy snow and no distractions from the modern world. Riley’s Horn Pipe is an original instrumental fiddle tune that was well-accepted by the crowd. I Want a Car with a Carburetor harkens back to the good old days when things were a little simpler (no pagers/cell phones, etc.) and coffee was brewed in a percolator! They ended the evening with a very beautiful medley of Christmas songs (What Child is This and God Rest Ye Merry Gentlemen).
Great job, guys, and Happy Holidays to all!
Showcase Photos
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Photo Credits: Matthew Costello and Norman Roscher
